"The minute anyone tried breaking in, they will be in for one hell of a surprise."Īnthony and his attorney argued that eminent domain could not apply to a public-private partnership like the LAC-Hollywood Museum. Only this time I will have my buddies at my side." He warned that his friends were fellow ex-marines. "If Sheriff Pitchess tries to evict me like he did three weeks ago… I'll be waiting inside with my shotgun. Anthony spent the reprieve giving blustering interviews to the media. The deputies backed down, giving the family a few more weeks to move out. Anthony, "cradling a shotgun in one hand and a baby in another," refused to leave.Įlona and Steven Anthony, with children and shotgun. Photo by George Brich (The holder of the other half-interest had sold.) The Anthony family was served eviction notices, and on Feb. The Anthonys owned only a half-interest in the property, but they refused to sell. That was a small, privately owned parcel holding the English Tudor home of Steven Anthony, a 33-year-old Barney's Beanery bartender, his wife Elona, and their three young children. The County donated the land-except for 6655 Alta Loma Terrace. The museum was to occupy a high-profile site next to the Hollywood Bowl. Fresh off the success of Disneyland, Walt Disney assured the museum's board that the project would be "an obligation for the millions of tourists who come to Hollywood." In comparison, the original LACMA ran about $11.5 million. The estimated cost of $6.5 million was modest, even in 1960s dollars. The complex's signature feature would be a looming tower (rather than a sphere) for offices and collection storage. Two working sound stages would permit visitors to view real Hollywood productions. There would be a shrine to the Oscars and another for the Emmys. Among the attractions would be a massive stage set recreating ancient Rome and showcasing the tricks of perspective, lighting, and stagecraft used in blockbuster costume dramas. The museum was to span TV as well as film, and eventually the music and radio industries were thrown into the mix.Īs Pereira put it, visitors "would step into a world of illusion." They would buy tickets from audio-animatrons of Clark Gable or Marlene Dietrich. Supporters included a galaxy of Hollywood royalty from Gloria Swanson and Raymon Novarro to Gregory Peck and Ronald Reagan. Like LACMA, which was in the planning stages simultaneously, the Los Angeles County-Hollywood Museum was to have been designed by William A. Pereira & Associates design for Los Angeles County-Hollywood Museum, about 1964
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